I am in the service of art. Being a contemporary artist is both a profession and a passion. I never work alone. I recognize all pioneers, archives, and colleagues as not only influential but crucial for my work to manifest. I make art that derives from the body. By bodies I mean all bodies; worldly and otherworldly, human and posthuman, gendered and genderless, flourishing and deceased.
My main medium is my corporeal experience; my main discipline is contemporary dance. Dance is an immaterial artform that proposes alternative ways of existing together, as bodies and as communities. Dance is fragile and precious, direct and vulgar.
I am commited to practising, sharing and facilitating multidisciplinary, corporeal art. All of the art I make and/or organise, derives from or relates intimately to the ancient and contemporary wisdom of corporeal experience, and contexts that that knowledge manifest through. The outlets are multiple: I am educated in speech, song, theatre, dance and literature. I am obsessed with the stage as a platform to propose alternative realities, my strongest expertise is on the stage, performing.
I previously have, and currently do, work with numerous artists that I admire. I am inspired and influenced by all of them, forever grateful. I keep sharing traces of their artistry in all of the artistic work I endeavour, consciously and unconsciously, physically and spiritually.
My CV is both a shout out and a thank you.